NEWS HUB

Edward Burtynsky Awarded Royal Photographic Society 2020 Honorary Fellowship

We are delighted to announce the 2020 recipients of the Royal Photographic Society Awards, celebrating excellence and innovation in photography.

Now in its 142nd year, the eighteen categories recognise those individuals who have made outstanding contributions in their fields which cover art, science, education, curation, film and publishing.

“The RPS Awards are unique in recognising individuals across the breadth of the photographic medium. They acknowledge significant contributions from established women and men as well as showcasing a new generation of image-makers using photography as a vehicle for activism, engagement and change.”

– Dr Michael Pritchard FRPS, Director of Education and Public Affairs

Congratulations to all the recipients. Read a special edition of the RPS Journal, explore our new series of events with past and present recipients beginning January 2021, and find out more about the Awards here

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Just announced: Future Cities Canada welcomes Edward Burtynsky to #UnexpectedSolutions

Future Cities Canada

A Conversation with Canadian photographer Edward Burtynsky and Globe & Mail visual art critic Kate Taylor kicks off the first week of Future Cities Canada: #UnexpectedSolutions, a six-week virtual city-building gathering showcasing the best-of in innovation in cities from across Canada and around the world. The free public talk takes place on Tuesday, October 20, 2020 at 10 a.m. and is the first of three new thought-provoking conversations presented as part of the TD Future Cities Speaker Series, a program supported by TD Bank Group through its corporate citizenship platform, The Ready Commitment. Launched in 2018, this series presents ideas from some of the world’s leading minds in urban systems; this year’s topics explore themes ranging from climate adaptability and placemaking to housing and infrastructure.

Read the full press release here.

Register for free here.

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An Earth Day Message from Edward Burtynsky

Right now the message of Earth Day, on its 50th anniversary, seems more urgent than ever. There’s no doubt that the ravenous human appetite to conquer nature has compelled us to encroach on natural habitats and biodiversity in an ever-expanding way, and that this has led us to where we are today — isolated at home with a new pathogen determined to wreak global havoc. It seems the paradigm has shifted: where humans once had our collective boot on nature’s neck, we now find ourselves with nature’s boot firmly pressed against ours.

Gerhard Richter once said that “art is the highest form of hope” and my hope is that during this time in isolation I am able to create a suite of images, going back to my roots and looking at nature, with proceeds going directly to support the art sector in Canada.

The arts have taken an oversized hit during these times and will continue to suffer enormously because of this crisis. And yet, it is the artists, musicians, filmmakers and performers to whom we are all turning for catharsis, relaxation, distraction, entertainment and, perhaps most importantly, hope. Artists now need our support as much as we need theirs.

I do not know what the next few months will bring, but in this time of isolation and contemplation, I can be assured of one very important thing: the future of life on this planet rests in our hands. There may one day soon be a vaccine for this virus, but there is no vaccine for climate change.

Until such a time as life can return to something we are a little more familiar with, please stay safe and be well.

– Ed

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On Earth Day, photographer Edward Burtynsky reflects on our duty as stewards of nature

By Edward Burtynsky
The Globe & Mail

It feels a little surreal to be commemorating the 50th anniversary of Earth Day in the middle of this unprecedented global crisis. Admittedly, I had envisioned this day much differently, yet with COVID-19 forcing us all into isolation, the message of Earth Day seems more urgent than ever.

My 40-year career as an artist has taken me on a journey around our planet in search of the largest examples of human systems expressed upon the land and sea. I have been to many places that very few of us have any reason to go – the places where we wrest out the things we need from nature to propel our human destiny. My first trip to China in 2002 took me to Wuhan en route to photograph along the Yangtze River, where entire cities and landscapes were being commandeered and flattened to make way for the building of the Three Gorges Dam. So, when the pictures first emerged of the coronavirus lockdown in Wuhan months ago, never did I imagine seeing cities being shut down in this new and devastating way – or that we would soon experience this contagion all over the world.

There’s no doubt that the ravenous human appetite to conquer nature has compelled us to encroach on natural habitats and biodiversity in an ever-expanding way, and that this has led us to where we are today – isolated at home, with a new pathogen determined to wreak global havoc. It seems the paradigm has shifted: Where humans once had our collective boot on nature’s neck, we now find ourselves with nature’s boot firmly pressed against ours.

Read the full article here.

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