NEWS HUB

Edward Burtynsky Photographs the Largest Ways We Impact the Planet

By Neil Ever Osborne and M.A. Jacquemain
The Weather Network

After the public world premiere of Burtynsky’s multimedia art piece, In the Wake of Progress, on the towering screens surrounding Yonge-Dundas Square, this new body of work has been transformed into “an immersive walkthrough experience” at the Canadian Opera Company Theatre in Toronto for a limited run from June 25-July 17.

Renowned Canadian photographic artist Edward Burtynsky has launched a new exhibit this month, revisiting his lifelong subject of the human impact on the planet.

“We're at that point where words aren't enough,” he added. “We need to act.”

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Edward Burtynsky’s ‘In the Wake of Progress’ lets visitors get up close to nature’s destruction

By Sue Carter
Toronto Star

The lush forest in the opening sequence of photographer Edward Burtynsky’s “In the Wake of Progress,” a monumental new film installation at the Canadian Opera Company Theatre, provides visitors with some digital tree-bathing.

Visitors can move around and get up close as a caribou saunters and a bald eagle flies in, surveying the scene across three nine-metre screens. An animator spent six months in post-production adding wildlife and movement to one of Burtynsky’s panoramic still photos and the effects are seamless, down to the rustling ferns.

Despite the peacefulness, there is underlying anxiety. This is Burtynsky, after all, who has dedicated his 40-year career to documenting human impact on the environment. Serenity isn’t the intended takeaway from “In the Wake of Progress.” It’s a call to action and to witness.

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‘We’re all incriminated:’ Behind the scenes with Ed Burtynsky as he prepares to mount his immersive, scathing new film, In the Wake of Progress

By Irena Galea
The Globe and Mail

Burtynsky’s newest work is a 22-minute film that forces viewers to reckon with the global environmental and human impact of industrialization.

The boy on the screen leans against his metal tools in Chittagong, Bangladesh, to the sound of a warped orchestra. He’s dwarfed by the blackened hull of a ship looming behind him. It’s no longer being covered by insurance, so somebody, somewhere, has to take it apart. He got the job.

The hazardous working conditions he endures are propped up by the same developed countries where his photograph might be viewed, as Western shipowners often outsource their shipbreaking to Asian countries such as Bangladesh, exploiting cheap labour and a lack of workplace regulation.

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CHRONICLING THE SCARS OF A RAVAGED EARTH

By Meghan Yuri Young
Now Playing Toronto

Internationally renowned Edward Burtynsky has devoted his career to documenting how our insatiable desire for consumption impacts our environment. Burtynsky’s most ambitious project takes him into uncharted territory as a visual artist to illustrate the devastation’s increased sense of urgency.

Read the full interview here.

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In the Wake of Progress

Elsa Lam
Canadian Architect

Toronto’s Yonge Dundas Square is usually a canyon of advertising. But in a commission for this June’s Luminato festival, photographer Ed Burtynsky transformed the 22 screens in the square into a canvas for an immersive media piece entitled In the Wake of Progress.

Drawing on footage from Burtynsky’s 40 years of photography and film projects, the 20-minute wordless piece traces humanity’s fall from Eden: moving from old growth forests to lands swept barren by clear cuts, and thence to suburbs, skyscrapers, and slums. Burtynsky’s iconic images of mountain-deep Carrera marble quarries, post-industrial shipbreakers, and blood red copper tailing pools make an appearance, the latter set to an especially ominous passage of chanting in the cinematic soundtrack by Phil Strong.

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After a two-year wait, Edward Burtynsky brings massive climate change exhibit to Toronto's Yonge-Dundas Square

Chris Dart
CBC Arts

"In the Wake of Progress," the latest exhibit from photographic artist Edward Burtynsky, has been a long time coming — in more ways than one.

The exhibit — which is part of this year's Luminato Festival — consists of photos of human's impact on the world around them, selected from across Burtynsky's 40-plus year career. The pictures are displayed across 22 massive outdoor screens at Toronto's Yonge-Dundas Square, screens that usually show advertisements, and choreographed to music by composer Phil Strong.

It was also, in an alternate world, supposed to happen two years ago.

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Edward Burtynsky on the Power Artists Have to Inspire Climate Action

CBC Radio | What on Earth

Canadian photographer Edward Burtynsky has devoted much of his career to highlighting the ways humanity impacts the planet.

And he's setting out to do again with his latest art installation, In the Wake of Progress, which will take over all of the screens at Yonge-Dundas Square in Toronto this weekend. The project will include photography and film starting with verdant untouched forests followed by images of the many ways humans have impacted the planet with practices like mining and deforestation.

Burtynsky spoke to What On Earth host Laura Lynch in his studio in Toronto about his latest public art project and how his role as an artist and advocate for the environment has changed over the course of his career. Here is part of their conversation.

Listen to the interview and read the Q&A here.

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