The multidisciplinary exhibition tells the ongoing story of the Babyn Yar ravine in Kyiv, Ukraine and its extraordinary synagogue for the first time in its full cultural, historical, spiritual and political context.
March 16, TORONTO (ON) – Today, the Koffler Gallery, in partnership with Swiss Architect Manuel Herz and Canadian historian and curator Robert Jan van Pelt, announce the world-premiere exhibition of The Synagogue at Babyn Yar: Turning the Nightmares of Evil into a shared Dream of Good. This international exhibition is brought together with assistance from Canadian architect Douglas Birkenshaw and through architectural photography by celebrated Dutch photographer Iwan Baan. The exhibition features large-scale photographic murals directed by Ukrainian-Canadian photographer Edward Burtynsky taken by Ukrainian photographer Maxim Dondyuk.
Read MoreQueen’s University is proud to announce a partnership with world-renowned Canadian photographer, and Queen’s Honorary Doctorate recipient (2007), Edward Burtynsky to help realize his new public art piece titled Standing Whale.
Read the full press release here.
Read MoreNovember 24, 2020, Toronto — The Ryerson Image Centre (RIC) is proud to announce a multi-year donation of photographs by celebrated Canadian photographer Edward Burtynsky, whose iconic images have brought worldwide attention to the impacts of human industry on the natural landscape. The first installment of this gift comprises 142 photographs from the artist’s early career, a selection of which have been made public in a virtual gallery on the RIC’s website. Subsequent annual gifts will make the Toronto-based photography centre the most important global repository for the study of Burtynsky’s oeuvre.
Edward Burtynsky began his career in the late 1970s at the School of Image Arts of Ryerson Polytechnical Institute (now Ryerson University). "It was important to me that my life’s work be housed in a Canadian institution, and it felt like a fitting 'homecoming' to entrust these works to the same place where I first developed as a photographer,” Burtynsky says. “The Ryerson Image Centre has become one of the leading museums in the world for photo historical research and has a growing collection of artist archives. I realized that there was no place I would rather have my work preserved and studied.”
Read the full press release here.
Read MoreArt-inspired program uses high tech to raise awareness of the planet's environmental stress points and encourage sustainable actions in the face of a plastics crisis
OTTAWA, Nov. 13, 2019 /CNW/ - Many students are unaware that common, everyday activities place a demand on the natural world: from buying and consuming food, to throwing out plastic waste in the trash, to purchasing fast fashion clothing containing hidden plastics, and more. As concerns mount about the impacts of a growing human population, coupled with the increasing amount of land set aside for dumping sites, students need to learn now more than ever how their lifestyle choices have the ability to change the world they live in. To support this environmental learning, The Anthropocene Project (TAP), and Canadian Geographic Education (Can Geo Education), have partnered to create a travelling, classroom-focused educational initiative called the Anthropocene Education Program (AEP). The Program will explore the complex issues of plastic consumption, waste and pollution, land use management, species extinction and climate change.
Read the full press release here.
Read MoreANTHROPOCENE: The Human Epoch, Ava and Maison du bonheur compete for Rogers $100,000 Best Canadian Film Award
Read the full press release here.
Read MoreLONDON, UK, May 14, 2018, 8:00 a.m. (GMT+1) — World-renowned artist Edward Burtynsky will be unveiling his first Augmented Reality (AR) Installation as part of his special exhibition during Photo London at Somerset House in London, UK, May 17-20, 2018 where he is being honoured as this year’s Master of Photography.
The AR Installation, AR #1, Scrap Engine and Rims, Agbogbloshie Recycling Yards, Accra, Ghana 2017, invites visitors to explore the recycling of automotive machine parts from a scrap yard in Accra, Ghana in three dimensions. Made up of over 4,000 images seamlessly stitched together, the piece virtually recreates these objects within the exhibition space. Burtynsky's embracing of AR technology is a natural extension of his 40-year exploration of human systems and their impact on the planet.
Read More#AnthropoceneProject unveils new works by the artist collective of Edward Burtynsky, Jennifer Baichwal and Nicholas de Pencier
TORONTO and OTTAWA – Next fall, the Art Gallery of Ontario (AGO) and the Canadian Photography Institute (CPI) of the National Gallery of Canada (NGC) will co-present Anthropocene, a major new contemporary art exhibition that tells the story of human impact on the Earth through film, photography, and new experiential technologies. Co-produced with MAST Foundation, Bologna, Italy, the exhibition is a component of the multi-disciplinary Anthropocene Project from the collective of photographer Edward Burtynsky and filmmakers Jennifer Baichwal and Nicholas de Pencier. Organized by the artists in partnership with the three organizations, Anthropocene will run at the AGO and NGC simultaneously from September 2018 through early 2019.
Read the Press Release HERE.
Read MoreBy Lynn Trimble
Phoenix New Times
Due in part to a particularly robust lineup of local gallery exhibitions for July’s First and Third Friday art walks in downtown Phoenix, there was an abundance of great art on view during July 2016. We saw plenty of great art outside of Phoenix, too – especially in East Valley cities including Chandler and Mesa. But 10 works, pictured here, stood out from all the rest.
Read the full article here.
Read MoreRead the Press Release here.
Read More